The time has come for me to finally dedicate a long segment to The Key. Celine Tricart’s interactive VR film has been snatching one award after the other and certainly revolves around a current topic. I had the opportunity to watch The Key already and the even absolute pleasure to chat with the director.
Mid-March rolled around with some tragic news: Google announced it would be closing its in-house VR studio Spotlight Stories – a studio that has produced a number of charming short films in virtual reality and 360 degrees over the years. To mark this occasion, I re-watched all of the Spotlight Stories and created a list of my favorites for you; exclusively for this first issue of the new VR Geschichten newsletter.
Venice VR showcased a number of top-class VR films. These films prove narrative works’ ability to stand as an individual genre of virtual reality. Within the contest and alongside Lucid, The Great C – a filmic adaptation of one of Philip K. Dick’s short stories – demonstrated the vast potential of VR animated film in particular. I had the privilege of discussing this with its director, Steve Miller.