The time has come for me to finally dedicate a long segment to The Key. Celine Tricart’s interactive VR film has been snatching one award after the other and certainly revolves around a current topic. I had the opportunity to watch The Key already and the even absolute pleasure to chat with the director.
At this year’s Tribeca Film Festival in New York City, I had the opportunity to dive into a wealth of different virtual reality experiences. And without a doubt, Wolves in the Walls was one of my favorites of the show. The VR animated film boasts such involved dramaturgy that I felt compelled to dedicate three whole articles to the subject. While the first focuses on interactivity in general, this second one will take a closer look at specific interactions. In it, we will discover the crucial role immersive theater plays in the making of this masterpiece.
About a year ago, the New York Film Academy extended its offering to include courses for virtual reality. When I was in New York myself, I finally had the chance to discover more about it. This is an interview with Caitlin Burns and Jonathan Whittaker of the New York Film Academy dealing with storytelling in VR – as well as the many other things they can teach us about VR.