It’s a question VR enthusiasts can squabble over just as emotionally as cyclists in Berlin will fight with SUV drivers. Ultimately, it’s a question of personal preference. Still, what is a film in 180 degrees anyhow? And what is it good for?
Venice VR showcased a number of top-class VR films. These films prove narrative works’ ability to stand as an individual genre of virtual reality. Within the contest and alongside Lucid, The Great C – a filmic adaptation of one of Philip K. Dick’s short stories – demonstrated the vast potential of VR animated film in particular. I had the privilege of discussing this with its director, Steve Miller.
Some people just tend to look a little awestruck. As if, in each and every second, they realize anew the insanity and wonder of the world around them. Daniel Bury is exactly that kind of person. And when you get to know him, the first thing you want to do is tell him all about yourself – he’s a great listener. Those might be two of the reasons why he has found himself travelling the world since 2016 – while making the most astonishing encounters, which he captured in his 360-degree documentary series Chasing The World. This approach awarded him his second appearance at the Cannes NEXT this year.