About two years ago, I caught a glimpse of the beginning of the VR film BattleScar – instantly, I fell in love: with the film, its main protagonist, Lupe, the rhythm, the music, the style, the groove. Now, it has finally reached completion and awaits its release. One thing is certain: it’ll be the party of the year!
It’s a question VR enthusiasts can squabble over just as emotionally as cyclists in Berlin will fight with SUV drivers. Ultimately, it’s a question of personal preference. Still, what is a film in 180 degrees anyhow? And what is it good for?
Venice VR showcased a number of top-class VR films. These films prove narrative works’ ability to stand as an individual genre of virtual reality. Within the contest and alongside Lucid, The Great C – a filmic adaptation of one of Philip K. Dick’s short stories – demonstrated the vast potential of VR animated film in particular. I had the privilege of discussing this with its director, Steve Miller.