About two years ago, I caught a glimpse of the beginning of the VR film BattleScar – instantly, I fell in love: with the film, its main protagonist, Lupe, the rhythm, the music, the style, the groove. Now, it has finally reached completion and awaits its release. One thing is certain: it’ll be the party of the year!
One long year, I waited, and I hoped: when will I be able to see it? And where? For Wolves in the Walls promised nothing short of greatness. I finally got the chance to try the VR experience for myself at this year’s Tribeca Film Festival. Not only that: after the fact, I sat down with the producer, Jessica Shamash, and the director, Pete Billington, who let me in on some of their secrets. This article is the first in a series revolving around the project that holds such importance for storytellers.
Some time ago, I reported on the big attractions of 2018’s Tribeca Film Festival and wrote about my favorite films. However, there was much more to see! I found myself in Syria, I interrogated travelers as a US customs official, I saw Africa and stood in Japan. I experienced what it feels like to be discriminated against and revealed very personal things about me. To round things off, I made music as a fat little bunny. Part 2 of my Tribeca highlights of VR.