One long year, I waited, and I hoped: when will I be able to see it? And where? For Wolves in the Walls promised nothing short of greatness. I finally got the chance to try the VR experience for myself at this year’s Tribeca Film Festival. Not only that: after the fact, I sat down with the producer, Jessica Shamash, and the director, Pete Billington, who let me in on some of their secrets. This article is the first in a series revolving around the project that holds such importance for storytellers.
Mid-March rolled around with some tragic news: Google announced it would be closing its in-house VR studio Spotlight Stories – a studio that has produced a number of charming short films in virtual reality and 360 degrees over the years. To mark this occasion, I re-watched all of the Spotlight Stories and created a list of my favorites for you; exclusively for this first issue of the new VR Geschichten newsletter.
It’s a question VR enthusiasts can squabble over just as emotionally as cyclists in Berlin will fight with SUV drivers. Ultimately, it’s a question of personal preference. Still, what is a film in 180 degrees anyhow? And what is it good for?