Venice VR showcased a number of top-class VR films. These films prove narrative works’ ability to stand as an individual genre of virtual reality. Within the contest and alongside Lucid, The Great C – a filmic adaptation of one of Philip K. Dick’s short stories – demonstrated the vast potential of VR animated film in particular. I had the privilege of discussing this with its director, Steve Miller.
Why do I love festivals so much? One reason might be that I find myself being surprised anew every time. Only on festivals do you find gems you would have otherwise never encountered. This holds true for classic films; doubly so for virtual reality experiences. The VR animated film Lucid turned out to be just that kind of discovery at Venice VR, where it celebrated its premiere. The captivating adventure revolving around a mother-daughter duo asks the big questions of life – and demonstrates, almost in passing, the definition of virtuous storytelling in VR.
After having visited the Tribeca Film Festival already, I will also be travelling to the International Film Festival in Venice this year. Yay! As the oldest of its kind worldwide, the Venice Film Festival is just as venerable as it sounds; and even though virtual reality only joined the festivities last year, it is regarded as one of the best VR-centric exhibits. I took a closer look at this year’s Venice VR program to compile a brief and unashamedly personal foretaste.