Tribeca! Tribeca! Part 2

Some time ago, I reported on the big attractions of 2018’s Tribeca Film Festival and wrote about my favorite films. However, there was much more to see! I found myself in Syria, I interrogated travelers as a US customs official, I saw Africa and stood in Japan. I experienced what it feels like to be discriminated against and revealed very personal things about me. To round things off, I made music as a fat little bunny. Part 2 of my Tribeca highlights of VR.

Interactive Film in 360 Degrees

Many fans of VR associate 360-degree film most strongly with one thing: watching instead of participating. Satisfying a role this may be –  the more time I spent in the goggles, the greater the wish becomes to be part of the story. I start catching myself exhibiting little ticks: nodding, tiptoeing around, laughing, speaking, gesticulating into an empty room; only to realize: “Oh right, that doesn’t work here.” Quite frustrating, actually; and I was not the only one to feel this, as they are amongst us: interactive films in 360 degrees, of which I have compiled some particularly striking examples in this article (including my favorite of 2017!).

What Distinguishes an Interactive VR Film from a VR Game?

Interaction in virtual reality films: wouldn’t that be a VR game? Why even is interaction an issue? I gave the topic some thought and browsed through some of my clever books. Beware, things get a bit theoretical here. So, let’s go: where does VR film end and the VR game begin?